![]() So how did it came to this? How did someone look at all of it and thought "yes, this will sell". Was this an attempt at making their way back into the market?įukumenkei Noise almost feels like a fan project and at times it even looks like one! There's so much wrong with it that it almost feels like it was created by an amateur, but it wasn't! People who made this have a few projects under their belts, maybe not enough to be called "experienced", but they surely had to have some knowledge about the industry. It's charming, almost hypnotizing, and if the show can build off of it properly it can achieve some stupendous results.Įnter Anonymous Noise (Fukumenkei Noise), created by studio Brain's Base who's been in sort of a commercial slump over the past few years despite having some of the most beloved franchises under their belt. ![]() Most of the time it's almost as if the characters inside such stories live in a world that's created for the purpose of melodrama alone, it tends to feel almost like a theatrical play. I've always thought that it created a specific kind of feeling that I grew rather fond of. I've often been an advocate for melodrama. that the viewer can quickly empathize with just so you can use that to play with their emotions. That's pretty much the gist of it: create simple, recognizable characters The characters are often overblown and stereotyped for the sake of achieving that goal, as you can see in the previously mentioned examples. As an example "teenage melodrama" has become one of the most commonly used terms when discussing shows like Anohana, Angel Beats, Your Lie In April and many others that set their sights at making the viewer cry by the end of it. ![]() Most of the time that I see it being mentioned, it's in a negative light. Melodrama has been the talk of the anime community for quite a while now. Through music, will they be able to mend their friendship and overcome all the feelings involved in this complicated love triangle? However, the passage of time has changed many things in their lives-while Nino relentlessly attempts to fulfill her childhood promise with the boys, Yuzu's feelings for her from the past resurface, and Momo goes to great lengths to prevent a reunion with Nino. Having never met each other, the boys both individually promised that if Nino was ever separated from them, her voice would be the beacon to reunite them once again.Īfter six long years, destiny has finally placed Nino, Momo, and Yuzu in the same high school. ![]() After experiencing two sudden heart-wrenching partings when she was only a child, Nino Arisugawa has been singing her songs to the ocean, bound by a promise made with her two childhood friends-her first love, Momo Sakaki, and a boy who composed music, Kanade "Yuzu" Yuzuriha. Every day, a young girl wearing a mask stands by the beach and sings a nostalgic melody. ![]()
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